Tuesday, August 4, 2009

LEARN TO PLAY GUITAR LIKE A PRO

Many people want to play the guitar well, but lack the knowledge or the skills how... Now you can take the benefit of 14 years experience and apply it to your guitar learning to speed the rate of your learning and increase your guitar playing skills much faster than ever before. Discover the benefits of Jamorama - the Ultimate Guitar Learning Kit which includes: Learn to Play Guitar with Jamorama - The Ultimate Guitar Learning Kit which includes books for beginners, intermediate, and advanced players. "GuitEarIt" - an ear training game that develops your ear to recognize all 36 major, minor, and seventh cords. "Jayde Musica Pro" - a game created to help you read music that is both fun and will increase the speed of your music reading immensely! Access to hundreds of recorded song files which explain how to play over 50 popular songs! Amaze your friends! And much more... Skip the ineffective methods that don't deliver results, and let Ben and the team teach you how to slash your frustrations and learn to play songs your friends will love to hear.

So what you get is the Learn to Play Guitar with Jamorama 3 book package including 84 step by step lessons supported by audio and video, hundreds of lines of tabulature, the two bonus e-books and two exclusive computer games. If this isn't enough, they also provide their customers with the opportunity for free e-mail consultations to deal with any specific problems students may have. This whole package is designed to make the learning process for guitar students as simple and effective as possible. And it's really fun to use!

Visit: http://tinyurl.com/playguitaraspro

To start your training journey today!

by Anthony Alers

About the Author

Anthony is living conformable in his home from his work at home business

Sunday, July 19, 2009

Lessons on Guitar

If you are reading this, it's because you want to find cheap, easy, and fast guitar lessons but don't know where to go. This article is primarily about just that.
I have been playing guitar for 6 years and I have tried just about all the guitar lessons under the sun. At first I tried to learn guitar through conventional face to face lessons.
That failed because I... well to be honest... couldn't pay the guy. So I decided to go to some well named retailers to find some but the lessons offered there were completely uninformative. The next step is, to my dismay, the way I spent the most money... Online.
Sites lured me in with their "free online guitar lessons" but soon I found that they weren't so free.
I stumbled onto a site that promoted a product that was truly amazing. From past experience, I was skeptical, but I tried it at I loved it so much I have tried to give everyone interested in guitar lessons a fair shot at learning guitar. So i started a site that promotes this product because I believe in it so much.
There are no hidden fees, no false promises, no fake guarantees. Everything is explained to you. Visit the site and take a look at it, I know that it will help you like it helped me! Visit the Site for More Details! Or visit my site to see cool videos! My Site!
copyright 6/21/2009
by David

Saturday, July 18, 2009

How to play guitar riffs

OK, let's say you are a beginner guitar player and you would like to play some nice guitar riffs such as "Smoke On The Water" (Deep Purple), "Purple Haze" (Jimi Hendrix), "Stairway to Heaven"(Led Zeppelin) and so on. So you start asking yourself: "how to play those guitar riffs?".

Well, I know 3 ways to learn guitar riffs:

- You can buy the sheet music from any of the digital sheet music stores on the Internet. Sure, you have to know how to read standard notation.

- You can start searching Google for the song title followed by the word "tab". Sure, you have to know how to read tabs.

- You can start listening to the music you like. You have to know nothing.

Guitar tab

Guitar tab is a music notation created by guitarists. Any guitar tab has 6 horizontal lines (each one representing a string of the instrument) and numbers (each one representing the fret you have to play). As you can see, guitar tabs are easy to read. The downside of guitar tabs is the lack of rhythmic notation: this is the biggest flaw you'll find in guitar tab around the web.

Standard notation

Learning to read standard notation on the guitar is a lot of work. Everything about any song can be represented in standard notation (rhythm, harmony and melody). Just search Google and you will be able to download thousands of free sheet music pieces for guitar, piano, choral, brass, violin and so on. There are 2 disadvantageous aspects here: first you couldn't find that particular song you like so much, second you have to work hard to learn standard notation. Comprehending sheet music requires a special form of literacy: the ability to read musical notation.

Listening to riffs

This is the easiest and effective method I know. First, you have not to be able to read standard notation. Second, you can start playing guitar immediately. The downside of listening to riffs is the lack of ability to play them: you can't play guitar riffs because you are trying to learn them. It's a catch-22 situation. Anyway there is a simple solution here: you can slow down music to learn guitar riffs easily. All you need is a slow downer. This kind of software is helpful for transcribing, working out a difficult riff, helping you learn new song techniques and so on. It is a piece of software that allows you to slow down songs without changing the pitch. Slowing down the music to a more reasonable pace gives you a distinct advantage that would take years of experience otherwise.

copyright 6/20/2009

by Paul Redsteer


Friday, July 17, 2009

Beginning to Learn Drums

Are you a master air drummer? Are you becoming burned-out and unfulfilled of just envisaging the drums rather of really feeling and playing the thumping beats? If your replies to both questions are yes, then it’s high time to go to the succeeding level and sign up for drum lessons. Air drumming is fine, but in order to truly accomplish your dreams of becoming a drummer, then take drum lessons.

In reality, drumming is simple. Most of people are normally intimidated by the complicated beats the drum and drummer bring about. But in world, these beats are just versions of simple patterns. It’s true! Anyone can learn the drums. All it needs is successive studying and familiarity and mastery of these simple beats and patterns. Soon you'll be master of the drum set.

Before anything else, take the initial step first. One of the most fundamental lessons in drums and music is sheet reading. Yes, drums produce notes too and you will have to know how to read the sheet music in order to hit the right drum. There are different symbols which will be presented as time goes by, but sheet reading is the foundation which will make you to play the drums.

Counting time will enable you to play the correct notes written on the sheet music at the right time. The primary focus of a newbie drum pupil is on how the beats should be counted and how the subdivisions relate to each other. For beginners, a clean 4/4 time is usually taught. Make certain to count loud while tapping as this is essential in studying new beats and more complicated subdivisions in the future. A metronome may be used to help while tapping.

Knowing how to play with a single beat may be boring and persistent to some but becoming expert on these two skills is essential. As you progress, you can learn new beats, more compound moves and other drum techniques.

Practice makes perfect. It can be hard to stay motivated by playing simple beats but with the drums, mastery of the two above noted skills is the key to becoming an expert drummer. Hastening will only restrain your growth and it would be much to master the fundamentals before venturing further. Of course, once you discover that you are ready for more, there are intermediate and innovative lessons for more practiced drummers out there.
by: Jack Tan

Thursday, July 16, 2009

Jazz Improvisation Lessons: How To Get More Gigs Now

It goes with out saying that most cats wish they had more work, more gigs. The following are 4 extremely effective networking methods that you can put to work immediately. Obviously, your playing is the most important factor. The majority of your time and efforts should be focused on becoming the best player you can. Ability in and of itself will attract opportunity. But that not enough. Besides, having gigs is part of the learning process. Get your playing in shape and follow these simple methods for networking with musicians and soon your phone won’t stop ringing.

1. Go to Other People’s Gigs

One of the best ways to start getting more calls for gigs is to support other musicians. Whether they are your friends or acquaintances or even if you’ve never met them before, supporting their music comes with many benefits. People tend to help people who help them.

Decide ahead of time who you would like to perform with and potentially get called by. Once you have that list, follow their gigs and show up to support them. People tend to call people who they have recently seen. If you have already established a relationship with gigging musicians you can increase your own gigs rather quickly this way, just by being on the scene, being part of the hang.

2. Go on introduce yourself

The more musicians that know you and that know your playing the better, and the more gigs you’ll have. Again the key here is to be present on the scene. Chances are that at a jazz gig there will be other musicians in the audience. Get in the habit of meeting a new musician every time you attend a gig.

Now, here’s the thing. Network with the express purpose of meeting new people and developing relationships with them, not selling yourself to them. Selling yourself and talking only about yourself is a real turnoff to people that don’t know you. Don’t talk about how wonderful YOUR music is, or what a badass player YOU are. In fact, you will make a much better impression if you focus on them. Ask them questions about their music and what they’re up to. There’s nothing that people appreciate more than being listened to. Of course you want to tell them about what you do but try to focus more on them. Be sure to follow up with them as well. Email them and begin that relationship. You can write something simple like “Hey Man, Great to meet you the other night. See you on the scene.”

3. Be an Organizer

One great way to further your networking efforts is to organize sessions. Cats love to play sessions but many are simply too lazy or busy to take the time to set them up. Being the guy who organizes will have the effect of positioning you as a leader.

If you don’t have many gigs right now than fill your schedule with sessions. This also has the added benefit of being both necessary for and highly beneficial to your playing. But, be mindful of who you call for your sessions. They should be people with positive attitudes, who want to have productive sessions and whom you want to gig with. After awhile these sessions will begin to turn into gigs.

4. Stay on The Radar

Once you’ve built up a sizeable network of musicians it will be impossible to play sessions with all of them, or attend all of their gigs on a regular basis. They may simply be too busy to play sessions, or you may be. But you still need to stay on their minds.

Ask them to become your friend on facebook or another social networking site. Then keep them posted about what you’re up to. Let them know about your gigs and other projects.

Also, occasionally drop them a line, send them a text or give them a call simply to say Hi, and see what they’re up to. Stay in touch. The more genuinely interested in what they are doing the better.

To sum that all up: Be on the scene. Constantly meet new people. Be an organizer. Stay on the radar.

Follow these four simple steps and the gigs will start to flow.
by: Christopher J Punis

Wednesday, July 15, 2009

The Burning Desire To Play Jazz Piano

Exploring jazz Piano
The professional jazz pianist is expected to know the styles and techniques developed through the history of jazz. What sets the jazz musician apart is the need for excellent improvisational skills in melody and harmony.
The element of improvisation in jazz piano gives the pianist a sense of freedom of expression not found with other styles of music. Though the pianist must know "the rules," those rules can easily be broken in an artistic and creative way. How the jazz pianist applies or breaks those rules becomes part of their own personal style.

Jazz Piano Styles
When you discover all the different styles of jazz piano, one can begin to appreciate the variations in rhythm and discern between the different feelings that each type can offer a listener.
Below are brief introductions of the four main jazz styles and how they relate to piano jazz as we have come to know it and love it today.

Early Jazz
Piano has been an important part of jazz music since its beginning in the 1890's. Before jazz became widespread, Ragtime enjoyed popularity as one of the first music crazes of the modern era.
During this Ragtime era, piano music was the one of the most popular forms of entertainment in the U.S. The ragtime craze helped to fuel the sales of pianos, especially in the North.
Jazz developed as various styles of African-American music mixed and mingled in New Orleans in the first decades of the 20th century. Blues, spirituals, ragtime, band music, and European music melted together to form what is called America's first genuine original art form. What separates Ragtime from jazz is the fact that jazz is not notated, and ragtime doesn't "swing".
Storyville was an area of New Orleans where some local places showcased small bands, and some that would just have a solo pianist. As World War I broke out, Storyville was reported as a threat to the health of or soldiers, and closed it was down. Without this venue, many of those musicians looking for work elsewhere. Jazz was soon off and running, the craze was ablaze.

Stride Piano
In the 20's, a new jazz piano style started to emerge. Stride had the bass/chord left hand pattern of ragtime, but the swing of jazz in the right hand. The pianist performed all the elements of a band: the rhythm, the bass, the chords and the melody, usually at a frenzied pace.
The style evolved from the solo pianist's desire to keep the party going. The outlets these parties provided were the main source of entertainment for many Americans.

Swing Piano
In the swing era, which lasted from the twenties into the forties, sometimes the pianist played only sporadically and sparsely, adding an extra "frill" on top of the arrangement. At the time, swing was the most popular music in America.

Be Bop and Hard Bop
The Be-Bop era evolved as a reaction to the tightly controlled arranged sound of the swing bands. There was a major change in the evolution of jazz piano. The pianist didn't have to keep playing a steady rhythmic beat, but could now convey the rhythm and harmony by just using parts of the chords. The melodies became more angular and soon became featured in New York City, mostly in the clubs on 52nd St.
In the mid fifties, jazz saw new styles emerging. The pianists could use all of the techniques in jazz to develop a style, including elements of stride, swing blues and gospel.

Moving Forward
Since the early 60's, jazz piano has taken on many facets. Jazz has become wide open to interpretation, and the contemporary jazz pianist is able to grasp inspiration from many avenues.
Yes, jazz piano does pull at the heartstrings of many of us. I suggest you take some time each day to find your “jazz ear” so that you are able to feel the passion that jazz will add to your lifestyle.
With such an array of styles to emulate, and have fun with, many inspired listeners soon develop a passion to learn how to play the piano for themselves. There is nothing more satisfying than feeling the jazz beneath your fingertips.
The cost of a jazz pianist is not about the expenditure money for lessons, it's more about the time that you spend dedicating yourself to learning jazz piano, and having fun on your journey. The benefits are too great to go into on this brief article. Let’s just say, it’s definitely worth it all.
by: Peter Hostage

Tuesday, July 14, 2009

Your Guide To Buying A Guitar


Choosing a new guitar, regardless of your ability or experience, is never an easy task. You must always consider the type of sound you wish to create, your maximum budget and the style of music you're learning to play.

The three most common types of guitar are categorized by the material their strings are made from and their status as electric or acoustic. Therefore, you may either want a Nylon-stringed acoustic, a Steel-stringed acoustic or a Steel-stringed electric. Each of these is distinctly different and will be better suited you different styles.

Nylon-stringed acoustic guitars tend to be the cheapest variety and are the easiest to learn on because of the extra space between strings and their relative kindness to fingertips. Typically, they are used either as beginner instruments or for travel purposes where there is a risk a more expensive instrument may be damaged.

Steel-stringed acoustic guitars are similar in construction to their Nylon-stringed counterparts, but are generally used by more serious or professional players because of their usefulness in building playing-endurance and finger strength. These instruments are of a mid-range price and are also available in electro-acoustic varieties.

Steel-stringed electric guitars are distinctive because of the presence of a pickup (which turns vibrations in the strings into electrical signals to be emitted by an amplifier) and the absence of a hole in the body (which the pickup renders obsolete). Electrical guitars are the most versatile types and thus, the most expensive. Whilst you may pick up a budget electric guitar fairly cheap, this is useless without the concurrent purchase of an amplifier, which again varies in quality and price.

When buying a guitar, it is always best to have an impartial, experienced player with you in the store. If this is not possible, research the meanings of build-quality, neck-relief and intonation with reference to guitars and be sure to look out for each.
by: Ant Wakefield